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Scarcely[a] had I passed them by
when I found my beloved!
I held onto him[b] tightly and would not let him go[c]
until I brought him to my mother’s house,[d]
to the bedroom chamber[e] of the one who conceived me.

The Adjuration Refrain

The Beloved to the Maidens:

[f] I admonish you, O maidens of Jerusalem,
by the gazelles and by the young does of the open fields:
“Do not awaken or arouse love until it pleases!”

The Royal Wedding Procession

The Speaker:[g]

Who is this coming up from the wilderness
like a column of smoke,
like[h] a fragrant billow[i] of myrrh and frankincense,[j]
every kind of fragrant powder[k] of the traveling merchants?[l]

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Footnotes

  1. Song of Solomon 3:4 tn Heb “like a little.” The term כִּמְעַט (kimʿat), which is composed of the comparative preposition כ (kaf, “like”) prefixed to the noun מְעַט (meʿat, “the small, the little, the few”), is an idiom that means “within a little” or “scarcely” (BDB 590 s.v. מְעַט b.2.a).
  2. Song of Solomon 3:4 tn Heb “I held him” (אֲחַזְתִּיו, ʾakhaztiv). The term אָחַז (ʾakhaz, “grasp”) denotes to forcefully seize someone to avoid losing hold of him (BDB 28 s.v. אָחַז b).
  3. Song of Solomon 3:4 tn The verb רָפָה (rafah, “to let go”) means to relax one’s grip on an object or a person (HALOT 1276-77 s.v. רפה; BDB 952 s.v. רָפָה 2). The Hiphil stem means “to let loose” (Job 7:19; 27:6; Song 3:4; Sir 6:27) or “to release from one’s hands” (Deut 9:14; Josh 10:6; Ps 37:8). The negative expression לֹא רָפָה (loʾ rafah, “to not let [someone or something] go”) denotes an intense desire or effort to not lose possession of someone or something (Job 27:6; Prov 4:13). Here the expression וְלֹא אַרְפֶּנּוּ (veloʾ ʾarpennu, “I would not let him go”) pictures her determination to hold on to him so she would not lose him again. The shift from a suffix-conjugation (perfect) אֲחַזְתִּיו (ʾakhaztiv, “I grasped him”) to a prefix-conjugation (imperfect) אַרְפֶּנּוּ (ʾarpennu, “I would [not] let him go”) depicts a shift from a completed/consummative action (perfect: she took hold of his hand) to an ongoing/progressive action (imperfect: she would not let go of it). A basic distinction between the perfect and imperfect tenses is that of consummative versus progressive action. The literary/syntactical structure of אֲחַזְתִּיו וְלֹא אַרְפֶּנּוּ (“I grasped him and I would not let him go”) in 3:4 mirrors that of בִּקַּשְׁתִּיו וְלֹא מְצָאתִיו (biqqashtiv veloʾ metsaʾtiv, “I searched for him but I could not find him”) in 3:1-2. This parallelism in the literary and syntactical structure emphasizes the fortunate reversal of situation.
  4. Song of Solomon 3:4 sn There is debate about the reason why the woman brought her beloved to her mother’s house. Campbell notes that the mother’s house is sometimes referred to as the place where marital plans were made (Gen 24:28; Ruth 1:8). Some suggest, then, that the woman here was unusually bold and took the lead in proposing marriage plans with her beloved. This approach emphasizes that the marriage plans in 3:4 are followed by the royal wedding procession (3:6-11) and the wedding night (4:1-5:1). On the other hand, others suggest that the parallelism of “house of my mother” and “chamber of she who conceived me” focuses on the bedroom of her mother’s house. Fields suggests that her desire was to make love to her beloved in the very bedroom chambers where she herself was conceived, to complete the cycle of life/love. If this is the idea, it would provide a striking parallel to a similar picture in 8:5 in which the woman exults that they had made love in the very location where her beloved had been conceived: “Under the apple tree I aroused you; it was there your mother conceived you, there she who bore you conceived you.”
  5. Song of Solomon 3:4 tn The term חֶדֶר (kheder, “chamber”) literally means “dark room” (HALOT s.v. חֶדֶר 293) and often refers to a bedroom (Gen 43:30; Exod 7:28 HT [8:3 ET]; Judg 3:24; 15:1; 16:9, 12; 2 Sam 4:7; 13:10; 1 Kgs 1:15; 2 Kgs 6:12; 9:2; Eccl 10:20; Isa 26:20; Joel 2:16; Prov 24:4; Song 1:4; 3:4).
  6. Song of Solomon 3:5 tn See the notes on these lines at 2:7.
  7. Song of Solomon 3:6 sn It is not certain whether the speaker here is the Beloved or not.
  8. Song of Solomon 3:6 tn The comparative “like” does not appear in the Hebrew but is supplied in the translation for the sake of clarity.
  9. Song of Solomon 3:6 tn The proper nuance of מְקֻטֶּרֶת (mequtteret, Pual participle fs from קָטַר, qatar, “to make a sacrifice, go up in smoke”) is illusive. The lexicons take the participle adjectivally and translate מְקֻטֶּרֶת מוֹר (mequtteret mor) as “completely filled with fragrance or incense” (HALOT 1094 s.v. I קטר) or “fumigated with myrrh” (BDB 883 s.v. קָטַר). Most translations take it adjectivally: “perfumed with myrrh” (KJV, NASB, NIV); however, NJPS takes it as a substantive: “clouds of myrrh.” It is better to take the participle as a substantive and to nuance מְקֻטֶּרֶת מוֹר as “billow of myrrh,” as suggested by its parallelism with כְּתִימֲרוֹת עָשָׁן (ketimarot ʿashan, “like a column of smoke”). While this is the only usage of the Pual stem of the verb, the root קטר appears frequently in other stems, all of which connote smoke, e.g., Piel: “to make a sacrifice, to go up in smoke” and Hiphil: “to cause to go up in smoke” (HALOT 1094-95 s.v. I קתר). In Middle Hebrew the root קִטְרָא (qitraʾ) meant “to steam, smell” (Qal) and “to smoke” (Hiphil). The Hebrew root is related to Ugaritic qtr “smoke, incense” (UT 19.2220; WUS 1404); Akkadian qataru “to billow (of smoke)” (AHw 2:907; CAD Q:166); Old South Arabic mqṭr “incense; Ethiopic qĕtārē “fragrance, spice”; Arabic qatara “to smell, smoke”; and Syriac ʿetar “vapour, fume, incense” (HALOT 1094). Due to the rarity of the Pual stem of this root, the Targum mistakenly vocalized the form as Piel participle מִקְּטֹרֶת (miqqetoret, “going up in smoke”).
  10. Song of Solomon 3:6 tn The term לְבוֹנָה (levonah, “frankincense”) refers to fragrant incense (Exod 30:34; Lev 2:1, 15; 5:11; 6:8; 24:7; Num 5:15; Isa 43:23; 66:3; Jer 6:20; 17:26; 41:5; Neh 13:5, 9; 1 Chr 9:29; Song 3:6; 4:6, 14). It is composed of the white (sometimes yellow) resin of Boswellia Carteri and Frereana from Hadramawt and Somaliland (HALOT 518 s.v. לְבֹנָה).
  11. Song of Solomon 3:6 tn The term אַבְקַת (ʾavqat, “fragrant-powder”) means “scent-powders” (HALOT 9 s.v. אַבָקָה) or “ground spice” (HALOT 1237 s.v. I רכל 2.a). The noun אֲבָקָה (ʾavaqah) is from the root אָבָק (ʾavaq, “dust, powder”) (HALOT 9 s.v.).
  12. Song of Solomon 3:6 tn The singular form of רוֹכֵל (rokhel, “merchant”) may be classified as a generic singular, representing the genus of the merchant guild of which there are many. The term רוֹכֵל means “trader, vendor,” as small retailer (HALOT 1237 s.v. I רכל) distinct from סָתַר (satar) “shopkeeper, dealer” as large wholesaler (HALOT 750 s.v. סתר). It may refer to a traveling merchant, as in Middle Hebrew רוֹכְלָה (rokhelah) “traveling merchant” and Old South Arabic rkl “to go about as a trader” (Conti 242a). The general nuance appears in Judean Aramaic רוֹכְלָא (rokhelaʾ, “hawker, peddler”) and Syriac rakkala “merchant.”